|  |  |  | Manuscript for a brief talk entitled "Thoughts on
		the future of stonemasons in Europe" at the meeting of the
		"Landesinnungsverband Baden des Bildhauer- und Steinmetzhandwerk e.V."
		on November 8th, on QUATTRO CORONATI day, in remembrance of the "4
		Gekrönten" (4 crowned heads) in Freiburg/Breisgau, from Jürgen PriglBefore starting to prepare for this talk, I remembered a sentence
		which I read in Freiburg, where I lived for twelve years before I
		followed my calling to Soest as a result of the international tender:
		"The stonemason's craft is noble on its own – even God's laws were
		written in stone". 
 Father Donatus, you – together with Sepp Jakob – played a vital role
		in my professional career, and I eagerly read your treatise on "The
		heavenly patrons of the stonemasons". What I found especially
		fascinating was the information about the Greeks, because that wise
		man Socrates was also a stonemason.
 
 Friedolf Fehr, Land guild master, we are meeting for the first time in
		person, so to speak, but when it comes to important documents, we
		appeared together three years ago. This was certainly an important
		kind of meeting, and it acts as a doorway to a highlight which I
		intend to set up today.
 
 Your call to me at the end of 2003 (two thousand and three) played its
		part in ensuring that when the "Craft Regulation Act" was revised, at
		the conclusion of all the negotiations on the part of the mediation
		committee of the German Bundestag – the Lower House of the German
		Parliament – and the Bundesrat – the Upper House - the stonemason's
		craft was transferred from Appendix B to Appendix A.
 
 So, it is a fact that, whether people approve or not - you stonemasons
		are representatives of a full craft!
 
 This is the case in Germany! That is the next important point.
 
 Because, in many other countries in Europe, this is not the case at
		all!
 
 We find the greatest similarity in regulating crafts in Austria,
		Luxembourg and in South Tyrol, where there are special regulations.
		Other countries, such as Hungary, are attempting to set up a similar
		system. To summarise, we can say that in some countries there are no
		crafts as such, in some they exist, but without master craftsman
		status, and in German-speaking Europe there exists a Craft Regulation
		Act in which both are regulated.
 
 German-speaking Europe is that which includes the greatest number of
		people in Europe, which, admittedly, in view of the spirit of Europe,
		is something to which not too much importance can be attached, and in
		no way, which is most important, can descend into German jingoism.
 
 To return to the revisions of the 2003 Craft Regulation Act: a
		plausible aim on the part of the politicians, both on the right and on
		the left, was to make the German Craft Regulation Act into something
		which is suitable for tomorrow's Europe.
 
 You will have noticed that I am moving in a particular direction,
		namely a legal, social one. At this point I could say something about
		what the stonemason's craft has achieved in Europe – our large
		churches, minsters and cathedrals to which people make pilgrimages as
		tourists because these buildings continue to be infinitely attractive,
		because they are symbols with which the people of their nations can
		identify. They are what stonemasons created, and for me, as someone
		who was responsible for a Cathedral workshop, it would be easy to talk
		for hours, authentically, without any trace of kitsch whatsoever. But
		there are more important matters for me to talk about:
 
 In addition to a healthy getting-rid of what is out-of-date, the
		process of globalisation also contains the risk of serious losses. Yet
		it also contains opportunities for designing.
 
 Here in Soest, we have tried in recent years to thematise the subject
		of the master craftsman in the stonemason's craft in Europe. One of
		the many reasons for this is, in my opinion, that this craft is
		especially qualified in this respect: as long ago as the Middle Ages,
		an international network developed with the system of the Cathedral
		workshops. This is a fascinating aspect in an age in which Europe is
		coming together, but is in no way intended as an opportunity for
		copying and nostalgia.
 
 The stonemasons are qualified on the basis of the depth of their
		knowledge and skills! Whether this applies to all those who bear this
		job title is of no importance here, because magnificent buildings,
		creative design, complicated masonry and carving are still with us,
		and the skills continue to exist.
 
 In a European group of stonemasons linked by friendship, and of
		influential people who think highly of stonemasons, on July 9th of
		this year we deliberately – and without using any public funds – set
		up a pilot scheme which the aim of creating a EUROPEAN MASTER OF
		CRAFT. The preparatory work took place during the past few years and
		has its advocates.
 
 While preparing the initiative I have just mentioned, I became aware
		of something I would like to tell you about, something I have involved
		myself in. It is legalese, so something that creative people have
		problems with. It involves a great amount of paper, and I have tried
		to work through the essence of it.
 
 It deals with:
 Guideline 2005/36/EC
		of the European parliament of the European Council dated September
		7th, 2005 on the recommendation of the Commission according to the
		representation of the European Economic and Social Committee in
		accordance with the process of Article 251 of the agreement
		considering reasons relating to the "recognition of professional
		qualifications“.
 
 In this guideline, together with many others, the professions in
		Europe are arranged on a total of five levels, and I will give you
		some examples of the contents:
 
 "a", the first level, is evidenced by the existence of general
		knowledge and skills on the basis of general primary and secondary
		schooling.
 
 Level "b" is evidenced by a certificate following completion of
		general secondary education together with the requirement of a
		practical course of training in a profession.
 
 And I will tell you now: according to this guideline, which is to come
		into force in October 2007, which means next year, the stonemason –
		including the master stonemason - is in this second lowest category!
 
 "c", the third level, is evidenced by a certificate following
		completion of a post-secondary level of education for which
		entitlement to study at a university is a condition of entrance.
 
 Level "d" represents completion of a 3-to-4 year course of study at a
		university or polytechnic, and
 
 level "e" represents a course of studies taking at least four years.
 
 This means that a master craftsman is on the second-lowest level.
 There are, as always, exceptions; even according to "c", to which
		common sense says that the master craftsman should undoubtedly belong.
		The exceptions are dealt with in appendices to this guideline.
 
 For example, para. 1 of appendix II lists an educator, a
		medical-technical radiology assistant; for Germany, in each case,
		first the Länder are listed, and below them, the professions. In other
		countries there are other professions, sometimes including similar
		ones.
 
 And then, under 2., below the headline: „Master/Meister/Maitre“ -
		which means that the term is far from unknown, and is actually used –
		the list for Germany shows: opticians, dental technicians, bandagers,
		audiometric technicians, orthopaedic mechanic, orthopaedic shoemaker.
 
 There is a separate category, under "3." for "shipping".
 
 4. then lists the "Technical section"!
 
 
			Also, and you have not misheard me, the "Restorer of monuments which
		represent craft work". So, not the actual builders of these monuments!
		Also included are the "Disposer of waste materials" and the
		"Demolition expert". Please don't misunderstand me – I think that this
		is perfectly correct. But, what about the German master craftsman,
		most of all the one from Appendix A of the new Craft Regulation Act?There are no professions for Germany in this section!Latvia includes, for example, the train driver's assistant in
			level "c".And the Czech Republic, for instance, lists a "Mechanic for
			examining the exhaust gases from motor vehicles". 
 The "Soester Runde" which I mentioned before, and which led to the
		EACD, has, thanks to the help of people from 16 European nations in
		2001, passed a European recommendation calling for increased prestige
		for a master craftsman in Europe. At the same time, this is intended
		to be an incentive for young people to become involved professionally,
		to become ambitious, and to develop.
 
 This new EU guideline, which is waiting to become law, but, I must
		point out, is not yet in force – and do not believe anybody who says
		that nothing more can be done – this guideline will result in an
		opaque system of layers whose negativity might lie in a wicked
		differentiation.
 
 Valuable skills and knowledge, indispensable to the culture of
		Europe's nations, are deemed to be below average, excluded from the
		centre. There is no getting away from the fact that, under certain
		circumstances, factory managers and the self-employed will find
		themselves in level "c". That could mean anything, and does not
		require any professional training. It is precisely for those young
		people for whom education, self-reference and an identity in a
		profession would be of such basic importance that there is no longer
		much point in seeking a meaning to their lives, good opportunities and
		social acceptance by working hard, in a profession which calls for a
		great deal of perseverance and tenaciousness.
 
 Nor do those smart alecs help in any way when they claim that in the
		next revision, the trade of stonemason will be dropped anyway from
		Appendix A, and soon, instead of a master craftsman there will be a
		Bachelor degree, or whatever, and so on and so on. The master
		craftsman must be placed in the middle, on level "c", and for German
		crafts, not only that of the professions in Appendix A of the Craft
		Regulation Act.
 
 In this point, the guideline recalls a caste system such as the
		Pharaohs used. It does not simply contain a classification in terms of
		layers which, correctly formulated, can be a social portrayal. Put
		simply, it represents a barrier when it comes to opportunities for
		certain people. No matter how hard they work and struggle, they can
		never belong to the middle. This is not what Europe is supposed to be
		about. In view of the level of prosperity in Europe compared with much
		of the world, it is ridiculous that a part of the middle class is
		humiliated, a middle class which played an important part in the
		prosperity which has been achieved and in the degree of peace in
		society.
 
 Those people who are controlled by means of regulations should want
		and be allowed to play a role in respect of the regulations which
		affect them.
 
 The guideline must be corrected. It is necessary to fight for this,
		and it is high time that crafts act on an international basis. This is
		something which, beyond any doubt, is worth attempting, because
		standing up for what is right is always a worth doing. The Master of
		Science and the Master of Arts must be joined by a Master of Craft.
		This is what I am calling for, and I do so deliberately on QUATTRO
		CORONATI day in Freiburg/Breisgau: if the fight is fought in the right
		way, then victory is assured.
 
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